{"id":184,"date":"2022-04-06T07:42:28","date_gmt":"2022-04-06T05:42:28","guid":{"rendered":"https:\/\/www.giulianogalletta.it\/web\/?p=184"},"modified":"2022-04-06T10:20:28","modified_gmt":"2022-04-06T08:20:28","slug":"viana-conti-terribly-emotional","status":"publish","type":"post","link":"https:\/\/www.giulianogalletta.it\/web\/viana-conti-terribly-emotional\/","title":{"rendered":"Viana Conti (2007), Terribly Emotional"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column offset=&#8221;vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-offset-2 vc_col-md-8&#8243;][vc_column_text]<\/p>\n<h1>Terribly Emotional<\/h1>\n<h3>Viana Conti (2007)<\/h3>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column offset=&#8221;vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-offset-2 vc_col-md-8&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Giuliano Galletta (Sanremo, 1955), artista autoaffetto da un cangiantismo identitario che lo induce a mettere ironicamente in scena i ruoli che pratica professionalmente nella vita, accostando l\u2019opera fotografica, solennemente incorniciata come da rituale, Il Divano Blu all\u2019installazione Barbie, in cui viene inesorabilmente annegata la bambola-icona americana pi\u00f9 venduta al mondo, ci confronta impietosamente con una rappresentazione patente del suo teatro diurno e una narrazione latente dei suoi fantasmi notturni. Ritorna il tema della Camera melodrammatica, di quella casa, Das Heim, che l\u2019autore non cessa di arredare con le sue pulsioni desideranti, i fantasmi delle sue paure, le crude metafore della casalinghitudine: storie di eros, disagio fisico, morte, ma anche specchio di serate in famiglia davanti all\u2019immancabile schermo televisivo. Con le vaschette di un fantomatico bucato quotidiano e la figura della bambola, le quinte mobili del suo teatro si riverniciano di vissuto, rappresentando la mise en sc\u00e8ne della sua ricorrente mise en abyme: l\u2019inquietante scenario dell\u2019ambivalenza, della tensione cio\u00e8 tra la presenza e la distanza dell\u2019elemento familiare, tra l\u2019Heimliche e l\u2019Unheimliche, altrimenti definito il sentimento del perturbante. Autore di un romanzo ininterrotto dalla trama eclissata, il cui protagonista \u00e8 l\u2019artista stesso, sdoppiato allo specchio, ritratto accanto alla modella, con cui si sottopone a una simbolica fleboclisi che sopperirebbe a un\u2019emorragia di realt\u00e0, Giuliano Galletta, poetico frequentatore visivo e acustico del d\u00e9tournement situazionista, non cessa di accostare microstorie di carattere narrativo ad altre di carattere aforistico, in cui aleggia il malessere del vuoto incolmabile che separa il soggetto desiderante dall\u2019oggetto del desiderio e che, di opera in opera, assume le inequivocabili sembianze della malinconia.<\/p>\n<p style=\"text-align: justify;\">Viana Conti<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column offset=&#8221;vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-offset-2 vc_col-md-8&#8243;][vc_column_text] Terribly Emotional Viana Conti (2007) [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column offset=&#8221;vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-offset-2 vc_col-md-8&#8243;][vc_column_text] Giuliano Galletta (Sanremo, 1955), artista autoaffetto da un cangiantismo identitario che lo induce a mettere ironicamente in scena i ruoli che pratica professionalmente nella vita, accostando l\u2019opera fotografica, solennemente incorniciata come da rituale, Il Divano Blu all\u2019installazione Barbie, in cui&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-184","post","type-post","status-publish","format-standard","hentry","category-testi-critici","category-4","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.6 - 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giulianogalletta.it","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.giulianogalletta.it\/web\/viana-conti-terribly-emotional\/","og_locale":"it_IT","og_type":"article","og_title":"Viana Conti (2007), Terribly Emotional - giulianogalletta.it","og_description":"[vc_row][vc_column offset=&#8221;vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-offset-2 vc_col-md-8&#8243;][vc_column_text] Terribly Emotional Viana Conti (2007) [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column offset=&#8221;vc_col-lg-offset-2 vc_col-lg-8 vc_col-md-offset-2 vc_col-md-8&#8243;][vc_column_text] Giuliano Galletta (Sanremo, 1955), artista autoaffetto da un cangiantismo identitario che lo induce a mettere ironicamente in scena i ruoli che pratica professionalmente nella vita, accostando l\u2019opera fotografica, solennemente incorniciata come da rituale, Il Divano Blu all\u2019installazione Barbie, in cui&hellip;","og_url":"https:\/\/www.giulianogalletta.it\/web\/viana-conti-terribly-emotional\/","og_site_name":"giulianogalletta.it","article_published_time":"2022-04-06T05:42:28+00:00","article_modified_time":"2022-04-06T08:20:28+00:00","author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"admin","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.giulianogalletta.it\/web\/viana-conti-terribly-emotional\/","url":"https:\/\/www.giulianogalletta.it\/web\/viana-conti-terribly-emotional\/","name":"Viana Conti (2007), Terribly Emotional - 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